Godox TT350S Flash Speedlite for Sony Camera, 2.4G Wireless GN36 1/8000s HSS TTL Camera Flash Compatible for Sony Camera A7 A7R A7S A7-II A7-III A7R-II A7R-III A7S-II A6300 A6000 etc

After switching from Canon to Sony, I needed a reliable flash that would complement my existing Godox AD200 Pro, and the Godox TT350S Flash Speedlite has proven to be a fantastic choice. Initially, my plan was to use it as a secondary slave flash alongside the AD200 Pro, but it has far exceeded my expectations, both in power and performance.During a recent outing with our kids' group at an outreach event, we had a bonfire, and I decided to put the TT350S to the test. I was incredibly surprised by the quality and brightness of the light it produced. Even in the dimly lit environment, the flash was powerful enough to illuminate the scene beautifully, capturing sharp and vibrant photos that truly stood out.The compact size of the TT350S makes it incredibly convenient to carry around, yet it doesn't compromise on performance. It's lightweight, which is perfect for on-the-go photography, and the build quality feels robust and durable. The flash recycles quickly, ensuring I never miss a moment, and the TTL functionality ensures accurate exposures with minimal effort.One of the highlights is how seamlessly it integrates with my existing Godox setup. Using it as a slave flash in conjunction with the AD200 Pro opens up a world of creative possibilities. The wireless functionality works flawlessly, allowing for easy control and synchronization between the flashes. This versatility makes it a valuable addition to my photography gear.Overall, the Godox TT350S has been a game-changer for my Sony setup. Whether I'm shooting in challenging lighting conditions or simply need an extra burst of light, this flash delivers consistent, high-quality results. It's a worthwhile investment for anyone looking to enhance their photography experience with Sony cameras. I couldn't be happier with this purchase and highly recommend it to fellow photographers!

I’m a well known pro and a convert to the many excellent attributes of the Sony mirrorless system. As a former Nikon and Canon shooter, speedlights (small strobes) of the same brand usually made the most sense. With Sony, Godox is a far more economical choice than what you get from Sony, with actually more options at excellent prices. Read on for a brief primer on how to get great results:First, I think this Godox TT350S is the right choice for most everyday situations, even for pros like me. One reason is that because the Sony bodies are so small—bigger flash units can ungainly dominate the balance of the camera, making it top heavy. So, unless you are lighting large groups or objects at a greater distance, this little guy gets the job done in style. It also works wonderfully and seamlessly in combination with Godox’s larger unit like its excellent big brother, the TT685S. (S is for Sony, of course.)Second, lets’ talk briefly about technique. The TT350S is a versatile wonder. The goal with artificial light is to use less of it and when possible add it to the ambient available light in the scene for natural looking and professional results. This is why many pros shoot with the flash set on manual. You can easily learn how to “dial down” this unit so it puts out less light, and can also alternatively set the camera to reduce the amount of light. This is calculated in F-stops, also known as aperture. Thus, if shooting on manual, leave your Sony camera’s flash setting on full blast and dial down the light using the Godox settings. If shooting in TTL automatic mode, you can set the camera to dial down at least 1/3 of an f-stop and often 2/3rds so flash isn’t overwhelmingly bright.Your main goal is to avoid “direct flash.” No black shadows against the wall, please! Keep the strobe oriented vertically and decide how to spread out the light for a natural look. One way to do this is to bounce off a white ceiling or side wall. If not available, the included diffuser does quite a decent job. Compare these two techniques with a test subject and you’ll quickly have an idea of what works best for you.To take your lighting to the next level, Godox makes it easy! You can use the TT350s as a wireless trigger for another unit (including other models) to be placed at an angle toward the subject, or even diffused through a softbox or umbrella. Or using just this one strobe can be used fully off camera with an additional must have purchase of the inexpensive Godox X1T-S remote trigger. In this scenario, the (even tinier) X1-S unit sits on your camera’s hot shoe and triggers the TT350s, wherever you locate it wirelessly.Another good way to get your light source off camera is a run ‘n gun technique used by photojournalists and wedding shooters. Although (oddly) not easy to find, another inexpensive must have accessory is the Vello three foot TTL flash cord for Sony cameras. Essentially, it’s an extension cord. One end screws into the hot shoe of your Sony and you shoot one handed, holding your arm out to hold the flash, typically with the diffuser in place. This is key way pros shoot in active environments to get the strobe off camera to better avoid and diffuse directional light.Keep in mind that any small flash like this one that only takes two AA batteries will not recharge as fast as a larger strobe unless you have a separate power pack for it. Thus, get the bigger model for fast happening news and wedding environments.Hope this has been of some small help as you build your lighting skills with the superb Godox system. Happy shooting to you and yours!

I love the flash the only thing that gets on my nerves is the battery life but overall it works good. It's definitely beginner friendly. Also use name brand batteries.

Works well. It's my first flash, so i can't really compare it to anything else, but i like it. It does suck up batteries like crazy though. I'd recommend Panasonic Eneloop AA's for this. They last forever.

I use this on my a6000. I was able to test it also on a 6500 as well as the a7r II. It works fine with all of them. I did initially have an issue with the a6000 black model. I wasn't sure at first if it's was the camera or the Flash. It ended up being the camera. If not the paint on the hot shoe (come on Sony) the internal circuit board for the hot shoe is also known to be defective. The seems to be more common from what I've read on the Black version of the a6000. In my case it was a circuit board problem in the camera. I was able to exchange the camera and the new one works perfect with this flash. If you try this and you have a sync issue with the exposure you may have the same problem as I did. Initially it work perfect off camera. It was only on camera that I had a problem and the replacement camera works. Like others I highly recommend reading the instructions. They aren't very long and if you don't understand them you simply won't be able to use this flash to its full potential. Or possibly at all. I would love to have one of the larger ones someday. And maybe a second one tof this size. I've tried the Sony flashes and I do like them but they are large, heavy, and I'm not always happy with them in other ways. They do work well but this was perfect for my use. High speed sync as well as shutter speed seems to be somewhat limited to what camera you have and what lens you are using. I need to experiment some more with my manual lenses. I've had the best luck so far with the auto focus Sony lenses. If you're considering one I'd go for it!