George Frideric Handel: Giulio Cesare

Product Description ------------------- David McVicar's production of Giulio Cesare manages to combine serious in with entertainment, bringing Handel's masterpiece to life in a powerful, convincing and highly intelligent way. In every line of the complex narrative the subtle nuances are apparent, reflecting perfectly the transparent and exquisite nature of Handel's musical expression. Filmed in High Definition and recorded in true surround sound, the outstanding singing of the all-star cast, led by a superb Sarah Connolly, and the vivid playing of the Orchestra of the Age of Enlightenment under the energising baton of William Christie reveal the colour and dramatic character of Handel's music in a most delightful manner. Press Reviews "...a lively and imaginative production, directed by the ever resourceful David McVicar, enchanted and amused..there was so much good acting, often whilst singing difficult and controlled coloratura." (Musical Opinion) "Christie conducts Handel beguilingly - in fact, I’d go so far as to suggest that nobody does Handel better. Christie drew brisk playing from the Orchestra of the Age of Enlightenment, crisp and punchy, yet he also carried the slow tempos with magical stillness. But the performance was about much more than sound alone: underneath the OAE's sheen there was an internalized musical depth to each of the numbers." (Opera) "Extravagantly laid out on three DVDs, the Opus Arte version is important in offering a fine period performance of this most popular of the Handel operas. William Christie conducts the Orchestra of the Age of Enlightenment and an outstanding cast in an account at once scholarly, lively and refreshing, a live of the 2005 production at Glyndebourne." (The Penguin Guide) "...the irrepressible Danielle de Niese (who is accorded a delightful 22-minute narrative on her Glyndebourne experience among the extras here). Her vocal command and stage presence are spectacular in every sense..." (Gramophone) Cast Sarah Connolly (Cesare) Angelika Kirchschlager (Sesto) Danielle de Niese (Cleopatra) Christophe Dumaux (Tolomeo) Patricia Bardon (Cornelia) Christopher Maltman (Achilla) Orchestra of the Age of Enlightenment; William Christie Production Company: Glyndebourne Festival Opera Stage Director: David McVicar Disc Information Catalogue Number: OABD7024D Date of Performance: 2005 Running Time: 305 minutes Sound: 5.0 DTS Surround; PCM Stereo Aspect Ratio: 1080i High Definition / 16:9 Subtitles: EN, FR, DE, ES, IT Label: Opus Arte .com ---- There's a chance that purists will be very unhappy with director David McVicar's production of this Baroque masterpiece; there's also an equal chance that they'll be so vastly entertained that all criticisms will be beside the point. Updated to the years before World War I, Caesar's troops are British soldiers come to colonize Egypt, the latter being a place filled with exoticisms in the form of acres of billowing silk, flashy costumes, and full-blown song and dance numbers a la Bollywood (featuring sex-kitten Cleopatra and her minions). It's not only funny/campy, it also makes a certain internal sense. The razzle-dazzle is laid aside for the personal tragedy of Cornelia and Sesto (Patricia Bardon and Angelika Kirchschlager, respectively)--here portrayed as a beaten-down woman in a pathetic rage and a son on the verge of insanity--and for Caesar's and Cleopatra's more introspective moments. Caesar is mezzo Sarah Connelly, in firm voice and with the bearing of an emperor. Cleopatra is the 25-year-old American Daniele de Niese, ravishing in person and voice, with charisma, nerve, and talent in equal proportions. Countertenor Christopher Dumaux' bitchy-queen Tolomeo is remarkable, and the Achilles of bass Christopher Maltman is menacing. William Christie leads the Orchestra of the Age of Enlightenment with great spirit and dramatic thrust, and the production values---subtitles in major European languages and English, stereo and surround sound, and picture---are ideal. Extras include interviews with the director and singers and an up-close look at Danielle de Niese. This is a fascinating, grand entertainment that may just make new friends for Baroque opera. --Robert Levine

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