Roland SP-404MKII Creative Sampler and Effector with 16GB Internal Storage, 32-Voice Polyphony and 160 Samples Per Project (SP-404MK2)

The media could not be loaded. You organize patterns of sample triggers, build loops, and compose them. It sounds simple which it is but it's easy to spends hours getting really creative with the miniscule details via resampling through fx. Going from up to 160 samples per project and put it into one sample, which is your finished song. It's a very elegant work flow and I am currently using this as my main studio piece. I started by putting all of my samples from my DAW and some others I found on the interweb on my 256GB SD. My next move is to get a synthesizer and use that for my sound design. My FAVORITE feature of this thing is the SKIP BACK feature which can be set to record everything you do for 45 seconds back so you can just be finger drumming and say oh crap I wasn't recording.. oh wait.. you actually were. Now you never miss a good take! Lastly you don't even need a interface with this thing. I have my laptop running audio I/O via USB and my 1/4 Aux I/O going to subwoofer and my subwoofer out to my monitors. I can sample movies or music from my computer by a press of a button at any moment. A seamless piece of equipment that can fit right into your life.

I'm a guy in my 50's who used to play in bands and mess around with synths and samplers back in the early 1990's. Recently, I got the itch to make music again. So I picked up a few micro synths and stand-alone groove boxes to try out. The Microfreak was cool, but very limited. The Digitakt is amazing! But it's more about sequencing than rhythms and sampling. Then I discovered the SP-404MKII. To me, this is the sweet spot in terms of price, functionality, ease-of-use, and cool factor. It is simply amazing! The pads to tap out your own beats feel great. The ability to use stereo samples with longer runtimes and sampling external mics or importing samples from other devices, gives you tons of flexibility. And when you're sitting there with your headphones, tinkering away, it just feels good. Grooving with some beats, you can throw entire DJ sets together, if you wanted to. There's a great number of factory samples that come built in. If you don't have any of your own samples on hand, I recommend subscribing to Roland's "Ultimate" program. They give you a month free trial. During that time, you can download all the sample packs they offer for this device absolutely free, then cancel the subscription before they charge you, and you get to keep all the samples.The other thing I'll mention, is that the SP-404 is built to be customized. You'll notice in my photo, I have a retro-looking skin on it, that I purchased from a third party, as well as some aluminum replacement knobs. The aesthetic really gives off an old-skool hip-hop vibe that I love. It sounds amazing, has a series of flexible inputs/outputs as well as midi control options. I've hooked it up to work in tandem with my Digitakt and they are the ultimate DAWless power-couple! Effects for days, smooth transitions between pre-built patterns and live performance, a DJ mode to show off for an audience, and a newly added built-in synth engine as of the most recent patch. This thing is a powerhouse if you take the time to learn how it operates. There's a great community for it, so you can find lots of tutorial videos online. Cannot recommend this unit enough for those looking to chop samples, build loops and patterns, or compose entire songs in any electronic genre.

Excelente producto!

" It's a poor musician that blames his instrument"For what it is, this piece of hardware is great. Take it where ever, when ever. I will admit the workflow isn't for everyone, But if, and when it clicks, you'll understand why this such a highly praised bit of gear.

Having used the MPC One and MPC Live 2, comparatively, the 404MK2 does what the aforementioned attempt to do but much more seamlessly.The 404MK2 literally enhances creativity by allowing the focus to be on sound, versus sight. That is to say, touch screens are novel yet exceptionally finicky and “gimmick-y” when the goal is to immerse yourself in an audio project. The button functionality and navigating menus are much easier to learn than I thought they would be, sampling is such a dream and so smooth and mapping out ideas took what felt like seconds compared to the minutes it took to do so on the MPC One and MPC Live. The effects on the 404MK2 are pretty gnarly as well.The learning curve is not nearly as steep as I imagined it would be.Roland did an excellent job in terms of portability. I literally sat with the 404MK2 on my lap and forgot it was there whereas for the MPCs I had to always find a table. It’s super light weight and carries easily in one hand whereas as the MPCs feel heavy and fragile. It’s incredible that the pricing on the 404MK2 is what it is and the MPCs are so exorbitantly priced. My thoughts are that the touch screen and the speaker on the MPCs respectively account for that. For the me the differences in price are too steep and aren’t really justified. A good pair of monitor headphones (Beyerdynamic, Audio Technica, Roland’s own or Sennheiser) serve a much more professional and sound efficient purpose.USB-C connectivity for charging and sampling makes it that much more “obsolete-proof” and SD Card connectivity and speeds are pretty impressive.Overall, I’m super happy with the 404MK2 and look forward to what emerges from Roland going forward.